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Ian Dando
Listener Magazine (New York), August 2016

In these chamber music works, Ping reduces his volume levels to those of an elegant “multi-function pianist”. He vocalises snatches of Chinese opera, reaches into the piano’s strings to touch this or that, and accompanies himself with mild shouts and whistling. His aim as a composer is for a new work to befriend us on its first or second hearing—and this he easily achieves. © 2016 Listener Magazine (New York)

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