"The New Zealanders cope splendidly with the Gershwin idiom - gone are the embarrassing days when orchestras couldn't swing - and bring a catchy rhythmic zip both to An American in Paris and the Cuban Overture...The recording is vivid."
"Conductor James Judd draws a remarkably eloquent and poignant sense from his musicians. While there is no singer, if you've ever been in love, it will surely speak to your hear, even without words...The recording quality seems excellent, the orchestra is excellent, and the music is both intelligent and passionate."
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