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Kenneth Keaton
American Record Guide, November 2018

Nikcevic plays on all the tracks (piano and percussion on a couple), Bulatovic on all but two. Their playing is fine—clean, clear, and beautiful sound, solid technical command, and the stylistic understanding of native musicians. © 2018 American Record Guide Read complete review on American Record Guide



David Denton
David's Review Corner, July 2018

In May of this year I reviewed these remarkable guitarists from Montenegro in their arrangements of Bach’s English Suites, now we hear them in a very different world. Moving around a late-night jazz club atmosphere, we have a diverse programme from flamenco to Slavic melodies, Balkan rhythms and the sounds of the Middle East in a disc aimed at a ‘middle-of-the-road’ audience, particularly those who enjoy virtuoso performers. In the Bach discs they were described as the Montenegrin Guitar Duo, but here appear by their individual names. Each work is a cameo with immediately likeable melodies linked to catchy rhythms, and are predominantly in fast dance-like mode. I particularly enjoyed the evocative Flame and the effervescent Fiesta, but you may join me in a wish they had included more of their relaxed scores, as they are highly gifted composers in the genre. A piano, played by Nikcevic, is involved in Alma, and sounds to have been overlaid on the guitar duo, and there are two guitar solos from Nikcevic. A small string chamber orchestra is employed in the two works which they composed together, the first opens in the Eastern Mediterranean, Ye, Lassie introducing a distinct feel of Hollywood. Microphones come in close to give a high degree of impact and clarity. © 2018 David’s Review Corner





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