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Roger Hecht
American Record Guide, January 2016

The performances are consistent in approach… The BRS has an affinity for Brahms, particularly the golden glow of its strings and brass, along with woodwinds that take advantage of the freedom Jansons gives them. Tempos tend to be slow, allowing for leisurely journeys and peeks around corners of the structures to find interesting details and phrasing. These readings have a chamber-like intimacy, but there is nothing small-scale or revisionist about them. Think of a slightly intimate form of romanticism. They are not a first choice, but they are a worthwhile supplement. © 2016 American Record Guide Read complete review on American Record Guide

Dominy Clements
MusicWeb International, October 2015

All of these performances are deeply satisfying… © 2015 MusicWeb International Read complete review

Phil Muse
Audio Video Club of Atlanta, October 2015

…Jansons directs the orchestra in deliberate, well-paced performances that reveal the major strengths of both the BRSO and Brahms: the rich string sound, the mellifluous woodwinds, and the dark brass that has an incisive bite when required by the music. © 2015 Audio Video Club of Atlanta Read complete review

Remy Frank
Pizzicato, September 2015

Mariss Jansons’ Brahms symphonies are lyrical and colourful, and he is very sensitive to the finest emotional expressions in the music. © 2015 Pizzicato

Hank Zauderer
My Classical Notes, September 2015

The beauty of Brahmsian symphonic creativity comes to full fruition in these live recordings from the Musikverein in Vienna, and from the Herkulessaal in Munich under the direction of Mariss Jansons. © 2015 My Classical Notes Read complete review

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