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Göran Forsling
MusicWeb International, March 2016

My first impression of Thilo Dahlmann is his care over nuance. He is basically a rather light and lyrical singer and works within a fairly narrow dynamic range. …Schiller’s Gruppe aus dem Tartarus (tr. 11) finds him at his very best, powerful and intense. He certainly has impressive low notes and takes the optional low D on the final schlafen in Der Tod und das Mädchen (tr. 16), so he should rightly be labelled bass-baritone. Totengräbers Heimweh is also accomplished. © 2015 MusicWeb International Read complete review

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