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Philip Clark
Gramophone, December 2013

Axel Seidelmann’s Skulptur I (Mobile)…has a classic modernist title and, with its scattering, jingling sounds—leaping glockenspiel, clarinet and piano figurations to the fore—the music matches the billing, Seidelmann interestingly toying with the paradox that this surface busyness tugs against the music’s harmonic stasis. The hectic activity of Christian Offenbauer’s Kommt Sirenen klagt…the balletic poise of Ludwig Nussbichler’s Schattenspiele IV: jeu de mime…and the memory games of Alexander Stankovski’s Spiegel—Maske—Gesicht…are all in safe, loyal hands here. © 2013 Gramophone Read complete review on Gramophone

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