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Blair Sanderson, September 2016

…the most successful arrangements are the ones for voice and piano, such as the opening track, Gethsemane, and the Six Orchestral Songs, because the main interest lies in the vocal lines, as sung, respectively, by Konrad Jarnot and Claudia Barainsky, and the piano part is essentially accompanimental. …fascinating mementos of the Viennese avant-garde, and students of Schoenberg’s work will derive considerable value from them. © 2016 Read complete review

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