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Colin Anderson
Fanfare, November 2006

André Previn is of course a hugely sympathetic conductor of British music; the Oslo Philharmonic has caught the bug, too; and Daniel Müller-Schott brings much intensity, color, and dynamic variance to his interpretations. His plangent tone and ardent phrasing informs Elgar’s Concerto, which is given here a reading of depth, one that avoids mawkishness and indulgence, yet finds the privacy, heartache, and the ardor of the music, soloist, conductor, and orchestra feeding off of and responding to each other. © 2006 Fanfare Read complete review





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