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Robert Carl
Fanfare, November 2006

Adams noticed in the performance of Strange and Sacred Noise that certain combinant tones would emerge that sounded like voices (especially in the movement featuring tamtams). This gave him the idea of exploring emergent sounds from unpitched percussive textures, and to accomplish this he set out on an elaborate process. 

I find the overall mix of the live and electroacoustic elements to be convincing. © 2006 Fanfare Read complete review





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