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Mark Sullivan
All About Jazz, June 2017

It should go without saying that the full range of percussion sounds are explored. After a grand opening statement , “Terminal A” spends a great deal of time in quieter territory, although dynamic contrast is always an option. “Terminal B” begins with a conversation between gongs and drums, while “Terminal C” features a rhythmic tattoo on mallets and tom toms. The closer “Terminal E” employs repeated rhythmic figures reminiscent of composer Steve Reich (and generous amounts of silence). An aural feast for percussion fans… © 2017 All About Jazz Read complete review





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