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Paul-James Dwyer
Toronto Early Music News, December 2016

The sound of this recording is extremely crisp and forward, one seems to be sitting with Satoh in close proximity, making it a very private experience. …The fine sound sonority, accentuated by the clear, intimate recording makes this offering a truly spectacular CD. A very fine introduction to an important composer for the Lute who is almost totally forgotten in our own time. © 2016 Toronto Early Music News

Kenneth Keaton
American Record Guide, November 2016

These performances are indeed like haiku, with quiet but intense concentration in deliberately restricted frameworks.

You won’t find a lot of fire and obvious emotion here. You will find quiet beauty, touching moments, perhaps even an extension of consciousness into the nothingness and infinity of Zen thought. © 2016 American Record Guide Read complete review on American Record Guide

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