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Michael Greenhalgh
MusicWeb International, December 2013

A joyous vivacity characterizes Thiel’s accounts on period instruments. Le matin begins as a delighted romp, its slow movement then refined yet sunny. Le midi has more heft but soon skips along while its recitativo second movement has just the right quality of visionary exploration. Le soir nimbly dances then benignly luxuriates. © MusicWeb International

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