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Records International, July 2017

These three very recent works—all from last year—are closely associated with this ensemble. Markowicz, the quartet’s 2nd violin, considers his breadth of knowledge of the quartet repertory as a performer an asset as composer, and his style draws on both techniques throughout the centuries and specific masterworks of the genre. © 2017 Records International Read complete review



Lynn René Bayley
The Art Music Lounge, June 2017

…Marcin Markowicz’s String Quartet No. 4, written in 1979 when Penderecki-mania was still rampant in Poland, begins with stark, percussive sounds played by the four strings; but it doesn’t stay there. On the contrary, the music morphs and develops throughout its five separate but interlocking movements, shifting and changing in both tempo and meter yet always returning to that choppy opening motif as a form of musical glue that cements the work together. Occasionally, the four musicians tap and hit their instruments with their bows and their open palms, creating an even greater feeling of percussion. By and large, this quartet is more of a “mood” piece than a complex construction, and in this respect I found it very interesting that the Lutosławski Quartet plays it completely through with straight tone. This is the kind of music that cries out for that sort of treatment, not the quartets of Mozart, Haydn or Beethoven, and it was fascinating to hear how this gifted group of musicians used it in an artistic way. © 2017 The Art Music Lounge Read complete review





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