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Blair Sanderson
AllMusic.com, June 2018

Vinikour’s accompaniment gives Pine pride of place and seems a bit understated, though the harpsichord part is always clear and the trio sonata textures are reasonably well-balanced in the 24-bit digital recording. Also included with the sonatas is the variant movement, Cantabile, BWV 1019a, which is appended to the Sonata in G major, BWV 1019. Cedille’s reproduction is transparent and close-up, so the listener gets a wonderful front-row experience. © 2018 AllMusic.com Read complete review



Lisa Flynn
WFMT (Chicago), May 2018

The artists approach these works as Bach intended: as trio sonatas with equally important roles for the violin and the harpsichord’s treble and bass lines. In addition to the six sonatas, the album offers the remarkable and ravishingly poetic Cantabile, BWV 1019a… © 2018 WFMT (Chicago)  Read complete review




David Vernier
ClassicsToday.com, May 2018

Pine and Vinikour give us no more and no less than what Bach’s scores dictate. …These interpretations, performed with such clarity and care—in true partnership—make a good case for hearing them more prominently and more often. © 2018 ClassicsToday.com Read complete review





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