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Jed Distler
Gramophone, January 2016

Rosenberger’s polished pianism cannot be faulted in the Mozart A major Sonata’s lengthy first-movement variations… Her similarly soft-grained and rounded-off Minuet and Trio emerges as a highly chaperoned dance with no touching allowed. Fortunately the briskly paced, discreetly accented ‘Rondo alla turca’ displays much more energy and sharpness of character than Rosenberger hints at elsewhere. © 2016 Gramophone Read complete review on Gramophone

Alan Becker
American Record Guide, January 2016

[Rosenberger’s] approach to Beethoven’s late sonata is very serious of purpose and makes no attempt to regale us with demonstrations of agility. While she has the technique, her approach is somewhat measured and stresses tonal purity and gorgeous tone. The Andante molto cantabile (III) is certainly the high point of the sonata, and she makes it a gut-wrenching expression. Bursts of power are not underplayed, yet they convey power without pushing or distorting balance. © 2016 American Record Guide Read complete review on American Record Guide

Hank Zauderer
My Classical Notes, August 2015

Pianist Carol Rosenberger has a distinctive style and sound. © 2015 My Classical Notes Read complete review

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