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James Harrington
American Record Guide, March 2014

Fabulous recorded piano sound from Rosenberger’s Bosendorfer Imperial Grand. She has the technique to bring all of these works off very well, clearly a great piano, and her own label to record everything with state-of-the-art technology.

If you are unfamiliar with her playing, or simply want a great sounding piano disc, here it is. © 2014 American Record Guide Read complete review on American Record Guide

Phil Muse
Audio Video Club of Atlanta, January 2014

We have here the following gems. First, a Barcarolle in a free and easy style by Richard Rodney Bennett that is reminiscent of his film score for Enchanted April. Then Maurice Ravel’s evocation of sunlight on splashing water Jeux d’eau (Fountains), the deep compass and almost symphonic, scope of Franz Liszt’s Harmonies du soir (Evening harmonies), and Ravel’s Une Barque sur l’océan (Ship on the Ocean) in which the dazzling play of light and water on the surface belies the menace of its deeper waters. “The Maiden and the Nightingale” from Goyescas by Enrique Granados captures both the maiden’s lament and the consoling…beauty of the nightingale’s song.

It’s followed by: Debussy’s La Cathedrale engloutie (The Sunken Cathedral)… Rosenberger finds the bourdon effect of the Boesendorfer’s low C ideal for this piece. Charles Tomlinson Griffes, America’s Impressionist, is represented by the dreamy Fountain of the Acqua Paola and a Barcarolle in which the Venetian boatman’s song uncharacteristically rises in emotion as we approach the end…Rosenberger does full justice to Debussy’s improvisatory sounding Nocturne in D-flat and his Reflections in the Water, with its constantly changing imagery, so appropriate to the subject. © 2014 Audio Video Club of Atlanta Read complete review

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