, May 2017
The orchestra plays well, although it sometimes sounds a little thin, and Federico Maria Sardelli keeps the pace moving smartly, perhaps distracting us from lingering over the opera’s weaker moments.
The singing in this production is lively and enjoyable. There are three good tenors—one romantic, one dignified, and one a clown. There are two basses for a double-buffo combination. …As Pasquale, Filippo Morace has more authority and a smoother voice. Both singers make an excellent job at being silly. Laura Giordano puts on a fine show in her acrobatic rondo-finale as Isabella. Silvia Beltrami, singing the conspiratorial maid Matilde, left me wanting to hear more.
Donizetti enthusiasts will find this recording to be a lively and enjoyable performance of a virtually unknown work from the Master’s second tier. These are rare, and should be celebrated and cherished. © 2017 MusicWeb International Read complete review