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Stephen Estep
American Record Guide, September 2019

The result is over an hour of slow cantorial music that takes little advantage of the piano. Ayrapetyan plays with a perfect balance of simplicity and expression… © 2019 American Record Guide Read complete review on American Record Guide



David Denton
David's Review Corner, May 2019

The sleeve note with the disc relates the life-journey of Yehuda Leib HaLevi Ashlag, born in Warsaw into a Jewish family in 1885, he spent most of his life in Jerusalem. He was to become known as Baal HaSulam as he devoted his life to the Kabbalist Book of Zohar. If that means little to you, I can add from the disc’s enclosed booklet that it is ‘an ancient spiritual wisdom that empowers us improve our lives, and to achieve a lasting fulfilment’. It was during his two years in London, beginning in 1926, that he composed the cycle ‘Melodies of Upper Worlds in a series of tunes without words that have been arranged for the keyboard by the Armenian pianist, Mikael Ayrapetyan. The titles I have shown in English translations, though, like myself, you may find little in the music to picture those words, but they were intended to be easily memorised for singing. Maybe best to start at track 16, Saint, which, from a musical point of view, is a score of substance as it leads into the final Beloved of the Soul. Born in 1984, Ayrapetyan studied at the Tchaikovsky State Conservatoire in Moscow, and is now a very active concert artist and composer. Here he has also acted as Producer and disc Editor for a recording made in the Conservatoire last year. © 2019 David’s Review Corner





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