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Huntley Dent
Fanfare, March 2015

…Trekel faces the challenge courageously, flying upward to Strauss’s wide soaring intervals in “Frühling.” The second song, “September,” lies more comfortably within his range, and from the tenderness of Trekel’s singing, you can hear why he wanted to record these songs.

[In] Wagner’s five Wesendonck Lieder…I think Trekel finds his best vehicle, because his softer, inward singing shows off his mature voice at its best, and he can wield unlimited vocal power when called upon… © 2015 Fanfare Read complete review

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