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James Forrest
Fanfare, November 2016

[Klinger] has a ravishing tone of good size and, so far as these two works indicate, a solid technique, capable of great subtlety.

[Lisa Batiashvili] seems to be an artist well on her way and the blend of her tone with that of Klinger is seductive. Their pianist, Milana Chernyavska, seemingly German-born but of Ukrainian ancestry, has already acquired great performing experience, recorded in Europe, and, like Klinger, holds an academic position. Her contribution here is superb! © 2016 Fanfare Read complete review

Hannah Nepil
Gramophone, November 2015

…Klinger and his colleagues—violinist Lisa Batiashvili and pianist Milana Chernyavskaya—cherish every note. Theirs is an exquisite performance that thrills in the sudden mood-swings; the second dumka in particular could hardly sound more fragile or more impetuous. Most significantly, it’s a performance in which the music’s child-like charm, so simple in character and yet so difficult to capture, takes centre stage. © 2015 Gramophone Read complete review on Gramophone

Remy Frank
Pizzicato, September 2015

Sebastian Klinger and his partners explore the Concerto as well as the Dumky Trio with ardent intensity, fully counting on contrasts. The trio becomes, that way, particularly haunting. © 2015 Pizzicato

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