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Robert A Moore
American Record Guide, March 2017

Landshamer’s light lyric voice is perfect for Sophie in Der Rosenkavalier and Pamina in The Magic Flute, roles where she has excelled. Here she establishes herself as a superb lieder artist. The purity, clarity, and beauty of her voice are exceptional. These are revelatory readings worthy of high praise. Huber is one of the finest lieder collaborators at work these days. His finely honed playing is an ideal complement to Landshamer’s readings. © 2017 American Record Guide Read complete review on American Record Guide



Henson Keys
Opera News, January 2017

Huber plays with exquisite sensitivity in this music, and Landshamer has a remarkable ability to move seamlessly from girlish innocence to worldly sadness. Her approach to each song is never generalized, always reflective of the specifics of the songs’ circumstances. Thus, what could have been just a lot of pretty singing becomes much deeper—and more human. © 2017 Opera News Read complete review



Paul Orgel
Fanfare, January 2017

Gerold Huber, an outstanding collaborative pianist whose recordings with Christian Gerhaher I very much admire, is a strong asset. © 2017 Fanfare Read complete review




Remy Franck
Pizzicato, June 2016

Viktor Ullmann’s Sonets have not been often recorded. That makes this CD truly attractive. Christina Landshamer’s performances are passionate and dramatic. © 2016 Pizzicato





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