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Jed Distler, March 2015

Kupiec channels her considerable finger power toward infinitely nuanced ends and always adjusts her sonority to interact with her fellow musicians…she’s willing to scale down the E minor concerto’s fiery arpeggios in order to allow thematic woodwind licks to be heard, and how rightly she shares the central Romance’s expressive spotlight with the solo bassoonist. And even within her reduced dynamic contours in the F minor’s Larghetto, Kupiec’s varied tone colors and articulations beckon your full attention. …Skrowaczewski and Kupiec realize their shared conception perfectly, and they probe the intimate, chamber-like dimensions of these scores with open minds and hearts, helped by a warm and natural sonic ambience. © 2015 Read complete review

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