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Fabrice Fitch
Gramophone, January 2017

The term ‘authenticity’ is frowned on today, but Lotter’s decision to forego a string bass on the continuo pays dividends. After his, most other performances seem unwontedly heavy, even stage-managed. Biber’s seemingly fierce demands are dispatched with quicksilver elegance. © 2017 Gramophone

Robert Maxham
Fanfare, March 2008

…Lyriarte’s reading deserves a high recommendation for Oehms’s lifelike and balanced recorded sound, for the ensemble’s colorful and joyful musicianship, and—for some—for the scholarship evidenced in Lotter’s extensive notes. © 2008 Fanfare Read complete review

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