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James Carson
Fanfare, January 2008

Margulis’s technical and emotional range is thoroughly up to the varied challenges presented by this varied repertoire. To take but one example, it’s a famously formidable test for a solo singer to differentiate the four characters represented in the narrative text of Schubert’s Erlkönig—much less for a solo pianist in the Liszt transcription. It’s hard to imagine this challenge being brought off more successfully than it is here. © 2008 Fanfare Read complete review

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