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Johan van Veen
MusicWeb International, April 2016

It is not enough to use the right organ; one also needs a thorough understanding of the stylistic features of the repertoire, and that is certainly the case with Kelemen, as he has already shown in previous recordings. We get here fully idiomatic interpretations in which the possibilities of the organ are explored in the interest of an expressive performance. It is also obvious that Kelemen knows the liturgical setting in which pieces of this type were performed. It certainly helps that he himself is active as a church organist in Germany. © 2016 MusicWeb International Read complete review

William J. Gatens
American Record Guide, March 2015

I have been consistently impressed with Kelemen’s performances. He has a scholar’s knowledge of this repertory, but he plays it with a keen musical understanding and fluency that can be all too rare in the world of early keyboard music. © 2015 American Record Guide Read complete review on American Record Guide

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