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Brian Wilson
MusicWeb International, May 2015

Though lyricism is the keynote of Isokoski’s singing she also copes splendidly with the Wagnerian intensity of Ruhe, meine Seele! and she is well supported throughout. © 2015 MusicWeb International Read complete review

Robert Levine, March 2013

As a great fan of Jessye Norman’s first recording of Richard Strauss’ Four Last Songs, I can say without impugnity that this brand new version is as fine, and can be seen as the anti-Norman at the same time…Soile Isokoski, with her infinitely brighter tone is accepting and loving, and her final song is the epitome of simple peace. Indeed, the four-song cycle clearly aims in that direction, but it is more often chock-filled with a sentimentality that, while not entirely unwelcome, in essence is unnecessary given the lushness of the music. Isokoski’s reserve is almost religious in the purest sense of the word—there’s faith written all over the four steps of the four songs. And needless to say, she has the technique to carry Strauss’ long lines upward and back downward with ease, and her sound is beautiful.

The other 11 songs on the CD are similarly well thought through and performed. Despite the many wonderful versions of the Four Last Songs (and many of the others) by singers as diverse and great as Norman, Schwarzkopf, and Janowitz, no lover of Strauss’ songs or of great, elegant, un-prima-donna-ish singing should be without Isokoski’s. © Read complete review

James Camner
Fanfare, November 2002

Soile Isokoski’s rapturous recording of Strauss’s Orchestral Songs and Four Last Songs is the vocal record of the year, hands down. With it, she bids fair to join a very select group of the finest Strauss singers in history: Elisabeth Rethberg, Sena Jurinac, Gundula Janowitz. That such a talent has emerged today is miraculous. © 2002 Fanfare Read complete review on Fanfare

Marc Mandel
Fanfare, November 2002

the latest great recording of Strauss’s Four Last Songs… © 2002 Fanfare Read complete review on Fanfare

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