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Jed Distler, November 2015

Out of the five singers, I respond most positively to Donald Graham’s suave baritone, Gianna d’Angelo’s effortless high-register agility, and Phyllis Curtin’s impressive sense of rhythm (her deft handling of short notes in “The Nightingale”, for example). Like many composers who play the piano, Rorem shines as an accompanist, as his crisp, sensitive support bears out… © 2015

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