Daniel Müller-Schott is one of the most sought-after cellists in the world and can be heard on all the great international concert stages. For many years he has been enchanting audiences as an ambassador for classical music in the 21st century. The New York Times refers to his ‘intensive expressiveness’ and describes him as a ‘fearless player with technique to burn’.

Müller-Schott guests with international leading orchestras—in the US with the orchestras in New York, Boston, Cleveland, Chicago, Philadelphia, San Francisco and Los Angeles; in Europe the Berliner Philharmoniker, the Gewandhausorchester Leipzig, Bayrisches Staatsorchester and Münchner Philharmoniker, the Radio Orchestras from Berlin, Munich, Frankfurt, Stuttgart, Leipzig and Hamburg, Copenhagen and Paris, Tonhalle-Orchester Zurich, the London Symphony and Philharmonic Orchestra, the City of Birmingham Symphony Orchestra, the Netherlands Philharmonic Orchestra, the Spanish National Orchestra as well as in Australia with the Sydney and Melbourne Symphony Orchestra and in Asia with Tokyo’s NHK Symphony Orchestra, Taiwan’s National Symphony Orchestra (NSO) and Seoul Philharmonic Orchestra. He has appeared worldwide in concert with such renowned conductors as Vladimir Ashkenazy, Thomas Dausgaard, Christoph Eschenbach, Iván Fischer, Alan Gilbert, Gustavo Gimeno, Bernard Haitink, Neeme Järvi, Karina Canellakis, Dmitrij Kitajenko, Susanna Mälkki, Andris Nelsons, Gianandrea Noseda, Andrés Orozco-Estrada, Kirill Petrenko, Michael Sanderling and Krzysztof Urbański. Many years of musical collaboration linked him with Kurt Masur, Lorin Maazel, Yakov Kreizberg and Sir André Previn.

In addition to performances of the great cello concertos, Daniel Müller-Schott has a special interest in discovering unknown works and extending the cello repertoire, including his own transcriptions and through cooperation with contemporary composers. Sir André Previn and Peter Ruzicka have dedicated cello concertos to him, which were premiered under the direction of the composers with the Gewandhausorchester Leipzig and the Kammerphilharmonie Bremen.

Daniel Müller-Schott receives Opus Klassik 2020 solo recording award

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Cornelius Meister, born in Hanover in 1980, became principal conductor and artistic director of the ORF Radio Symphony Orchestra Vienna in September 2010.

With the RSO Vienna he has held regular concerts in the Vienna Musikverein and the Vienna Konzerthaus. Extensive tours have taken him to Japan and throughout Europe, including to Salzburg Festival. Together with the RSO Vienna, he has been present on European radio, European television, on albums and in the internet.

From 2005 to 2012, Cornelius Meister was general director of music in Heidelberg. During this time he was awarded the ‘Prize for the Best Concert Programme’ by the German Federation of Music Publishers and the ‘Young Ears’ Prize and the Prize of the German Music Council for conveying music to children and adolescents in 2007 and 2010.

In concerts, Cornelius Meister also conducts Het Concertgebouworkest Amsterdam, the City of Birmingham Symphony Orchestra, the BBC Philharmonic Orchestra Manchester, the Washington Symphony, the Indianapolis Symphony, the Baltimore Symphony, the Orchestra dell’Accademia di Santa Cecilia Rome, Sveriges Radios Symfoniorkester Stockholm, the Danish National Symphony Orchestra, the Orchestre de l’Opéra national de Paris, the Ensemble intercontemporain Paris, the Deutsches Symphonie Orchester Berlin in the Berlin Philharmonic Hall, the Radio Symphony Orchestra Berlin, the NDR Symphony Orchestra Hamburg and the Symphony Orchestra of Bavarian Radio.

At the age of 21, Cornelius Meister held his début at Hamburg State Opera, followed by débuts at the Bavarian State Opera in Munich, the New National Opera Tokyo, the San Francisco Opera, the German Opera in Berlin, the Theater an der Wien, the Latvian National Opera in Riga (Der Ring des Nibelungen), the Royal Opera in Copenhagen, the Semper Opera in Dresden, Zurich Opera and Vienna State Opera.

Cornelius Meister studied piano and conducting with Konrad Meister, Martin Brauss and Eiji Oue in Hanover and with Dennis Russel Davies, Jorge Rotter and Karl Kamper at Salzburg Mozarteum. He also plays the cello and the French horn. As a pianist, he has held concerts in Europe and the USA and is a prizewinner of the German Music Competition and the Schleswig-Holstein Music Festival.

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Simone Young has been Artistic Director of the Hamburg State Opera and Chief Music Director of the Hamburg Philharmonic since August 2005. She has conducted here a broad musical spectrum of premieres and repertoire performances ranging from Mozart, Verdi, Puccini, Wagner and Strauss to Hindemith, Britten and Henze. At the State Opera and with the Hamburg Philharmonic, she has been able to achieve great successes with world premieres and several German premieres. Simone Young has made an international name for herself as a Wagner conductor: she was music director of several complete cycles of the Ring of the Nibelung at the Vienna State Opera and the State Opera Unter den Linden in Berlin. She forged her own Ring with great success at the Hamburg State Opera, conducting the complete cycle here as well. Engagements led the Sydney-born conductor to all the leading opera houses of the world, including the Vienna State Opera, the Opéra National de Paris, the Royal Opera House Covent Garden in London, the Bavarian State Opera, the Metropolitan Opera in New York and the Los Angeles Opera. Alongside her extensive operatic activities, Simone Young has also made a name for herself on the concert podium. She has worked with all the leading orchestras, including the Vienna Philharmonic, the Berlin Philharmonic and the London Philharmonic Orchestra. Simone Young directed the Bergen Philharmonic Orchestra as Principal Conductor from 1999 until 2002 and was Artistic Director and Principal Conductor of the Australian Opera in Sydney and Melbourne from January 2001 until December 2003. From 2007 until 2013 she also was Principal Guest Conductor of the Lisbon Gulbenkian Orchestra.

Simone Young appears on numerous recordings. For example, alongside recordings from the Hamburg State Opera such as Mathis der Maler, Das Rheingold, Die Walküre, Siegfried and Götterdämmerung on OehmsClassics, there are also several recordings with the Hamburg Philharmonic. Among others, ten Bruckner symphonies have been issued as well as the Second and the Sixth Symphony of Gustav Mahler and the symphonies of Johannes Brahms.

Simone Young has received numerous prizes and awards. She is an honorary doctor of the Universities of Sydney and Melbourne, Professor at the Academy of Music and Theatre in Hamburg, a member of the Order of Australia and a “Chevalier des Arts et des Lettres” as well as a recipient of the Goethe Medal. She was honoured as “Conductor of the Year” for her first opera season in Hamburg, and also received the Schleswig-Holstein Brahms Prize. In 2009, together with the Hamburg Philharmonic, she made the Hanseatic City into the world’s largest concert hall – from the Michel Tower, she conducted 100 musicians at 50 locations throughout the city.

In 2012 Simone Young, the Hamburg Philharmonic and soloists of the Hamburg State Opera presented Wagner’s Das Rheingold and Mahler’s Second Symphony in Brisbane, Australia, for which Young received the Helpmann Award in the category of “Best Individual Classical Music Performance” in 2013.

Translation: David Babcock

Bruckner’s 200th anniversary: Interview with Simone Young on Symphony No. 6 (Gramophone)

Feature interview: At 200, Bruckner Is More Popular Than Ever With Conductors. Why? (The New York Times)

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Baiba Skride’s natural approach to her music-making has endeared her to some of today’s most important conductors and orchestras worldwide. She is consistently invited for her refreshing interpretations, her sensitivity and delight in the music. The list of prestigious orchestras with whom she has worked include the Berliner Philharmoniker, Gewandhausorchester Leipzig, Boston and Chicago Symphony Orchestras, New York Philharmonic, Concertgebouworkest, Symphonieorchester des Bayerischen Rundfunks, Orchestre de Paris, London Symphony Orchestra, London Philharmonic Orchestra, Shanghai Symphony Orchestra and NHK Symphony. Notable conductors she collaborates with include Marin Alsop, Christoph Eschenbach, Edward Gardner, Susanna Mälkki, Andris Nelsons, Andrés Orozco-Estrada, Santtu-Matias Rouvali, Andris Poga, Yannick Nézet-Séguin, Tugan Sokhiev, John Storgårds and Juraj Valcuha.

Skride was born into a musical Latvian family in Riga where she began her studies, transferring in 1995 to the Conservatory of Music and Theatre in Rostock. In 2001 she won the first prize of the Queen Elisabeth Competition. Baiba Skride plays the Yfrah Neaman Stradivarius kindly loaned to her by the Neaman family through the Beare’s International Violin Society.

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