Although the interpretations of Patzak (Herod) and Dermota (Narraboth) have always been deemed a major asset of this 1954 recording of Salome, it is best remembered today for the magnificent playing of the Vienna Philharmonic under Clemens Krauss. A close friend of the composer, Krauss draws playing of the utmost sensuality, while achieving a remarkably clear balance between voices and orchestra. Christel Gotz, a controversial choice for the rôle of Salome, which she recorded three times, was a fine actress and a performer of great intensity, whose voice was both brilliant and clear over a range of three octaves.