Regarded by many as the greatest German composer of organ music since Bach, Max Reger set performers a real challenge in works that develop traditional contrapuntal techniques in a more modern context. His Fantasia and Fugue on the name of B-A-C-H is a monumental treatment in the grandest scale of a motif derived from the letters of Bach’s name. To this the simpler Organ Pieces offers a contrast in mood and timbre.