MOZART, W.A.: Don Giovanni (Highlights) (Skovhus, Girolami, Schorg, Pieczonka, Halasz)
Mozart’s opera Don Giovanni, a work of his maturity, retells the story of Don Juan, the famous seducer of women. In this extraordinary ‘dramma giocoso’, Mozart brings together ingredients from different operatic traditions – from the comedy of opera buffa to the formalised elements of opera seria. Don Giovanni’s musical riches are many, and this collection of highlights includes perfect musical depictions of Anna’s outrage, Ottavio’s tenderness, Elvira’s desolation, Masetto’s animal rage, and Zerlina’s artful feminine wiles. A recording of the complete opera with these artists is available on Naxos 8.660080–82.
Tracklist
Da Ponte, Lorenzo - Lyricist
Halász, Michael (Conductor)
Skovhus, Bo (baritone)
Monarcha, Janusz (bass)
Pieczonka, Adrianne (soprano)
Girolami, Renato (bass)
Kerl, Torsten (tenor)
Schörg, Regina (soprano)
Daniel, Boaz (bass)
Raimondi, Ildikó (soprano)
Hungarian Radio Choir (Choir)
Halász, Michael (Conductor)
| 2 | Act I Scene 1: Introduzione: Notte e giorno faticar (Leporello, Donna Anna, Don Giovanni, Il Commendatore) | 05:31 |
Halász, Michael (Conductor)
Skovhus, Bo (baritone)
Monarcha, Janusz (bass)
Pieczonka, Adrianne (soprano)
Girolami, Renato (bass)
Halász, Michael (Conductor)
Pieczonka, Adrianne (soprano)
Kerl, Torsten (tenor)
Halász, Michael (Conductor)
Skovhus, Bo (baritone)
Schörg, Regina (soprano)
Girolami, Renato (bass)
Halász, Michael (Conductor)
Girolami, Renato (bass)
Halász, Michael (Conductor)
Daniel, Boaz (bass)
Raimondi, Ildikó (soprano)
Hungarian Radio Choir (Choir)
Halász, Michael (Conductor)
Daniel, Boaz (bass)
Halász, Michael (Conductor)
Skovhus, Bo (baritone)
Raimondi, Ildikó (soprano)
Halász, Michael (Conductor)
Schörg, Regina (soprano)
| 10 | Act I Scene 12: Quartetto: Non ti fidar, o misera (Donna Anna, Donna Elvira, Don Ottavio, Don Giovanni) | 04:15 |
Halász, Michael (Conductor)
Skovhus, Bo (baritone)
Pieczonka, Adrianne (soprano)
Kerl, Torsten (tenor)
Schörg, Regina (soprano)
| 11 | Act I Scene 13: Recitativo accompagnato ed Aria: Don Ottavio, son morta! - Aria: Or sai chi l'onore (Donna Anna, Don Ottavio) | 06:08 |
Kerl, Torsten (tenor)
Nicolaus Esterházy Sinfonia (Orchestra)
Halász, Michael (Conductor)
Halász, Michael (Conductor)
Kerl, Torsten (tenor)
Halász, Michael (Conductor)
Skovhus, Bo (baritone)
Halász, Michael (Conductor)
Raimondi, Ildikó (soprano)
Halász, Michael (Conductor)
Skovhus, Bo (baritone)
Halász, Michael (Conductor)
Raimondi, Ildikó (soprano)
Halász, Michael (Conductor)
Skovhus, Bo (baritone)
Halász, Michael (Conductor)
Schörg, Regina (soprano)
| 19 | Act II Scene 15: Don Giovanni, a cenar teco (Il Commendatore, Don Giovanni, Leporello, Chorus) | 06:37 |
Halász, Michael (Conductor)
Skovhus, Bo (baritone)
Monarcha, Janusz (bass)
Girolami, Renato (bass)
Hungarian Radio Choir (Choir)
| 20 | Act II Scene 16: Questo e il fin (Donna Anna, Donna Elvira, Zerlina, Don Ottavio, Masetto, Leporello) | 01:53 |
Halász, Michael (Conductor)
Pieczonka, Adrianne (soprano)
Kerl, Torsten (tenor)
Schörg, Regina (soprano)
Girolami, Renato (bass)
Daniel, Boaz (bass)
Raimondi, Ildikó (soprano)





























