Composer(s): Brahms, Johannes
Artist(s): Siepmann, Jeremy
Label: Naxos Educational
Genre: Music Education
Period: Romantic
Catalogue No: 8.558030-31
Barcode: 0636943803028
Release Date: 05/2001

Classics Explained: BRAHMS - Piano Concerto No. 2 (Siepmann)

There is perhaps no great piano concerto grander than the Brahms B flat. With the spaciousness of a symphony, the drama of an opera, the intimacy of a lullaby and the intertwining raptures of the greatest love songs, it touches on almost every emotion with extraordinary immediacy and power. Its virtuosity is spell-binding, yet always substantial. But how is it made? How does it grow? What holds it together? Here we explore the music from the inside out, and hear how the mightiest of musical oaks can grow from the smallest of musical acorns.

A series exploring, in words and music, the major classical works of the concert hall. In an accessible and lively manner, Jeremy Siepmann looks at the history and the form of the great masterpieces of western music.

Tracklist

Disc 1
Brahms, Johannes
1Introduction; opening horn call and piano's answer01:50
2Rising three-note scalewise pattern00:25
3Quicker, descending six-note 'answer'00:18
4Second, answering phrase00:32
5First Main Theme completed by orchestra00:50
6Peace shattered as piano bursts back in like a tiger01:24
7Variant of opening horn call in bass00:19
8Orchestra returns; beginning of Exposition proper02:25
9Big, 'singing' theme in orchestra; piano 'forgotten'00:41
10Call to arms by strings; marshalling of orchestral forces01:03
11Piano re-enters fry with massive expansion of opening figure00:48
12Piano 'explores' two main facets of opening theme00:45
13Transition. sense of key weakened. Piano and orchestra come together01:07
14Piano and orchestra 'argue' over speed of thematic three-note rise00:41
15Piano and orchestra in friendly dialogue before piano falls away01:28
16'Winged' harmonic shadow of pure pianistic tone-colour00:45
17New 'transitional' theme from orchestra developed by piano01:51
18After indecision and discussion, the mood suddenly turns playful00:26
19Reminder of Second Main Theme in its original form00:43
20Ttransfomation of Second Main Theme by piano00:40
21Piano hijacks orchestra's 'call to arms'00:43
22Piano and orchestra, now allies, explore theme, but with piano leading01:08
23Dramatic eruption of orchestra leads to the Development section01:13
24Pianistic 'tiger' replaced by gentle reflective, soft-spoken poet00:30
25Transformed 'tiger' theme amicably shared by piano and orchestra00:44
26An apparently new theme - but Battlle Hymn of the Republic?00:41
27Brief, downward-driving section prepares for the Recapitulation00:54
28On the threshold of the Recapitulation00:54
29Recapitulation: The Magical Return01:06
30From Gate-crashing Tiger to Celestial Tenderness - and a surprise01:17
31And unexpected and portentus change of mood, suggesting tragedy01:01
32Summation00:30
33First Movement (Complete)17:16
34Second Movement: The upward-driving opening gambit, piano alone00:13
35Downward-driving answer from lower strings00:27
36Theme vs Melody00:58
37Eerie, unharmonised, 'white' sound of Second Theme00:45
38Second Theme taken up and developed by piano01:25
39Expectation and surprise; harmonic fluidity and intensifying drama01:40
40Return (and transformation) of Theme Two00:41
41Theme One returns in orchestra; Theme Three emerges in major mode01:00
42Sequence of fragmentary episodes begins with unexpected fanfare00:58
43Variant of Theme Three in piano00:36
44Rescored variant of 'fanfare' theme; from grandeur to solemnity00:21
45Rhapsodic variant of fanfare, this time for piano alone00:24
46Recapitulation of opening, with piano and orchestra reversing roles01:07
47Theme Two transformed by new instrumentation00:36
48Cue and Second Movement (Complete)09:23
Disc 2
1Introduction, cue and First Main Theme01:53
2Theme One taken up by strings and solo oboe; piano's entry01:20
3Complex variant of Theme One with very different speed and rhythm00:42
4Orchestra and piano in mixed variants of Theme One, now intensified01:10
5Theme Two, hushed and 'tuneless', with piano, clarinets and strings01:28
6Oboe Theme returns, now delicately embroidered by the piano00:46
7Cue and Third Movement (Complete)11:50
8Finale: Introduction, cue and Main Theme00:57
9Violins take up tune, with winds and piano accompanying00:24
10Piano introduces Part 2 of the main theme00:37
11Part 3 of the theme, led by piano, in 'fiercely' self-confident mood00:54
12First Episode, Part 100:47
13First Episode, Part 200:23
14Piano hands theme over to clarinets and bassoons00:15
15First Episode, Part 3, in piano, first; then flutes and oboes00:40
16Strings and flutes take theme, with bubbling commentary from piano00:28
17Tipsy dancers (piano and winds) return, tiring; strings take over00:38
18In the central Episode, the orchestra throws down a dramatic challenge00:28
19... to which the piano duly responds with a stormy outburst00:10
20Piano kick-starts run-up to final section in a variant of the main theme00:41
21Orchestra sets off on jaunty march, later joined by the piano00:25
22Piano propels orchestra into final section00:46
23Summation and cue to the movement as a whole00:22
24Finale (Complete)09:08

Total Playing Time: 01:44:44