The chamber music of contemporary American composer Truman Harris is informed by his experience as an orchestral musician; it is idiomatic, exciting, and frequently cast for unusual combinations of instruments. One such example is the unique Sonata for Two Bassoons and Piano, flavoured with jazz, romance, and waltz-like elegance. Rosemoor Suite is a captivating ‘story without words’ moving from nostalgia to vitality, and the two Concertinos explore rich lyricism and playful virtuosity. Vibrant colours and a sense of vivid fantasy suffuse the radiant Aulos Triptych.