Tianwa Yang’s admired and revelatory Sarasate series continues with a volume of captivatingly melodic compositions. Given Sarasate’s prodigious status in the violin pantheon, technical demands on the performer are often—but not universally—constant. But so too is his unfailing gift for lyricism, whether in the elegant Boléro, the balletic Sérénade andalouse or the aria-like Rêverie. The dazzling bowing difficulties in the Fantaisie-Caprice are thrilling, and so are the bird call harmonics of Los pájaros de Chile, written during a South American tour and only very recently published.