Long considered lost, the two entirely distinctive versions of Bruno Maderna’s strikingly expressive 1942 Piano Concerto here receive their première recording. Maderna was still immersed in the world of Bartók as a brilliant young graduate, and this influence is again strong in the more complex and intricate Concerto for two pianos and instruments. A comparison between these intensely individual early works and the mature large-scale masterpiece Quadrivium delivers new perspectives on one of the most influential composers of the 20th century.