Though Berlioz and, to a lesser extent, Franck wrote symphonic poems, it is Saint-Saëns who has been largely credited with introducing the genre to France. A wide orchestral palette and stirring reserves of drama are used to evoke the youthful audacity and death of Phaéton, the ultimate triumph of virtue over pleasure in La Jeunesse d’Hercule (’The Youth of Hercules’), and Hercules’ punishment, spinning wool while dressed as a woman, for the ‘inadvertent murder’ of one of his guests, in Le Rouet d’Omphale (‘The Spinning Wheel of Omphale’). The ever-popular Danse macabre is a spooky depiction of Death playing a dance on his fiddle on a tomb in a graveyard surrounded by skeletal dancers.