The fourth volume in this series culminates in Haydn’s grandest symphonies, written during his second, triumphant visit to London. The works possess increased artistic weight and mark a transition from Viennese Classicism to Romanticism. In their profuse thematic writing, lyricism, wit and peasant-like evocations – some said to be rooted in Croatian melodies – they offer a kaleidoscopic tour-de-force of his symphonic genius at the zenith of his achievement. Once again, Adam Fischer and the Danish Chamber Orchestra employ the best technical performance practice in their recordings.