Yasunori Imamura, whose recording of Bach’s complete lute works has been described as a ‘magnificent interpretation’ (Naxos 8.573936–37), turns his attention to the Cello Suites. Imamura has chosen to perform these iconic suites on the theorbo, the most important plucked instrument in the lute family, with a range very similar to the cello. Certain technical elements, such as the playing of arpeggios are, in fact, easier on the theorbo whose unique timbres and resonances bring a new sonic quality to these much-loved works.