Miklós Rózsa feared that success as a film composer might overshadow his reputation as a composer of classical concert fare. He was right: Three Oscars and 17 Academy Award nominations will do that to you. The two worlds were strangely incompatible and forced Rózsa into what he called his ‘Double Life’ – both the name of one of the films for which he won an Oscar and the title of his autobiography. If Rózsa was right to fear that the three orchestral works presented here, from his early, middle, and late phases, might overshadow his reputation as a composer of classical concert fare, they are nevertheless a charming introduction to discovering that second, classical side of his.