Hailed by the magazine BBC Music for its ‘generous and warm-hearted, utterly beguiling playing’, the GRAMMY®-nominated Neave Trio has emerged as one of the finest young ensembles of its generation. For this, their eighth album, they have once again selected a programme of works by female composers. Written in 1846, the Piano Trio of Clara Schumann was considered a great success by her friends and supporters (notably by Brahms) but her lack of self-confidence clouded her own view of the piece. Intellectually curious and a voracious reader from an early age, Dora Pejačević was largely self-taught as a composer. She composed her first piano trio (in D major) in 1905 (when she was twenty) and the second followed in 1910, by which time Pejačević’s musical language had already evolved into its distinctive late-romantic style. Chaminade’s Piano Trio No. 2 in A minor was published 1887, with a dedication to the great French cellist Jules Delsart. The successful première had been given at the Salle Érard on 4 February 1886. Chaminade went on to play the A minor Trio regularly during the 1890s, to substantial critical acclaim.