In his 'Miniatures' series, Danish composer Mads Emil Dreyer (b. 1986) explores the uncanny gap between acoustic and electronic sound. Pairing glockenspiels and strings with ‘shadow’ sine tones via transducers, Dreyer creates a hybrid soundworld of shimmering, fuzzy beauty. Like Monet’s cathedral paintings, these works view a central object through changing light and weather. From intimate quartets to chamber orchestration, this is music of childlike innocence haunted by a dark, digital presence.