Nino Rota’s iconic score for The Godfather is typical of his neo-Classicism – or ‘Classical modernist’ language – a cosmopolitan and functional musical style inspired by his teachers Pizzetti and Casella. This second and final volume of Rota’s solo piano music ranges from Ippolito gioca, an early piece celebrating Pizzetti’s 50th birthday, to a large-scale Variations and Fugue on the name Bach that concludes with a four-part fugue. The psychologically expressive music Rota composed for Federico Fellini’s film Il Casanova is also featured, alongside the piece Molière from his music for the ballet Le Molière imaginaire.