The term Popsongs is a blend of the two English words popular (meaning both “popular” and “celebrated”) and songs, emphasizing the intention to combine accessibility with the elegance of refined compositional forms. This collection of sixteen instrumental pieces, composed by Marcello Panni between 2013 and 2015 during his tenure as conductor of the “Tito Schipa” Symphony Orchestra in Lecce for the group of soloists Ensemble del Sud, represents a passionate and playful homage to the most celebrated melodies of Italian musical tradition, both operatic and folk. This project stands out not only for the exceptional artistic quality of its orchestration but also for its ability to pay tribute to and draw inspiration from the illustrious precedents of 20th-century mu– sical history. An essential reference is Luciano Berio’s (1925–2003) Folk Songs, composed in 1964, with whom Panni was a close friend and collaborator for many years. This cycle of pieces, created for the singer Cathy Berberian (1925–1983), Berio’s muse and spouse, was accompanied by a group of seven instruments, the “Juilliard En– semble” from New York, with which Panni himself collaborated in the 1970s. Another point of reference for the Popsongs is Igor Stravinsky’s (1882–1971) famous Histoire du Soldat. This composition, also written for a septet (violin, double bass, clarinet, bassoon, cornet, trombone, and percussion, the same ensemble used by Panni), represents an extraordinary example of chamber music that combines storytelling, theatricality, and a remark– able fusion of musical styles.