The compositional career of Robin Stevens, Welsh-born (in 1958) and Manchester-based, is divided into two periods, separated by a period of illness. The first mainly produced chamber music and works for the church that employed him; restored to health, he found an appetite for larger forms, writing three substantial concertos and a number of other orchestral works. Stevens’ substantial, fourmovement Cello Concerto is something of a symphonywithcello, casting the orchestra in kaleidoscopic discussion with the soloist. Here the Concerto sits between a charming orchestral miniature and a searching symphonic poem.