Ronald Stevenson (1928–2015) was perhaps the only virtuoso pianist-composer in the manner of Rachmaninov and Liszt to have Celtic origins, and so it is natural to find a Celtic flavour emerging in his music – his transcriptions as well as his original compositions. It also helps explain his affinity for fellow composers like Grieg and Grainger, whose creative efforts looked to the north. But Stevenson’s openness of spirit put the whole world of music within his reach, and so piano rags can here rub shoulders with works more directly concerned to express his humanist impulse.