In this sixth album the Choir of Girton College, Cambridge, continues its pioneering exploration of the music of the Italian Renaissance master Marc’Antonio Ingegneri (c. 1535/36–92) with a programme exploring in music Christ’s relationship with his disciples – twelve motets, symbolising the twelve disciples, framing the five-voice Missa Kyrie Secundi Toni, all in their first recordings. These further discoveries confirm Ingegneri’s position as one of the masters of his age, writing music as expressive and moving as his better-known contemporaries Palestrina and Lassus – and just as individual.