Ukrainian classical music is not even two centuries old, and for most of that time has had to contend with active attempts at suppression by a bullying neighbour. But Ukrainian composers have stood their ground, not least by taking inspiration from the folkmusic that has long thrived in Ukraine’s mountains and fields. In this first of a series of Postcards from Ukraine the UkrainianAustralian violinist Markiyan Melnychenko presents a programme of largely unknown miniatures for violin and piano, all based on, or inspired by, that folkculture. Alternately sparkling and soulful, these violin showpieces make the case for a more thorough examination of the riches still to be discovered in Ukraine’s musical heritage.