#bruckner2024
ANTON BRUCKNER (1824⁠–⁠1896)
The COMPLETE VERSIONS EDITION
Capriccio‘s acclaimed Complete Bruckner Symphonies edition reassesses these enduringly enigmatic and complex works. This project is to record all versions of the Bruckner symphonies, including all the alternative versions that are included in the new, comprehensive and authoritative Anton Bruckner Gesamtausgabe. Markus Poschner is the musical director throughout the project, making this the first time that one conductor has been on the podium for all nineteen versions of the symphonies. Two of Austria‘s finest orchestras have been engaged for this cycle: the Bruckner Orchester Linz and the ORF Vienna Radio Symphony Orchestra. The project is due for completion in 2024, the year that marks the 200th anniversary of Bruckner‘s birth.
Symphony in F minor
ANTON BRUCKNER
DISC 1
Symphony No. 9 in D minor (1894)
[1]
Feierlich; misterioso
[2]
Scherzo. Bewegt, lebhaft – Trio. Schnell
[3]
Adagio. Langsam, feierlich
BONUS DISC
Symphony in F minor (1863) “Study Symphony”
[1]
Allegro molto vivace
[2]
Andante molto
[3]
Scherzo. Schnell – Trio: Langsame
[4]
Finale. Allegro

Bruckner Orchester Linz
Markus Poschner, conductor

This final album of Capriccio’s Bruckner Symphonies in The Complete Versions Edition includes both his very first and final symphonies.

In March 1861, Bruckner completed his counterpoint studies with the renowned teacher Simon Sechter, who had also taught Schubert. His graduation signaled the end of an extended break in his compositional output, when his F minor Symphony was conceived in the classical and early romantic tradition of Beethoven, Schubert, Mendelssohn and Schumann.

Bruckner’s Ninth, considered by some to be his best symphony, is certainly his most daring and, thanks to the missing finale, his most mysterious. It is where Bruckner meets Mahler and, while working on it, when he met his end. He intended to complete the finale, of course, but too much remains missing. What he left us is a heavenly Adagio, which quietly fades away with references in the brass to his two preceding symphonies and ending, but not quite completing, his life’s work.

Symphony in F minor (1863)
Edited by Leopold Nowak
(Nowak BSW 10) (MWV 1973)
Bruckner Orchester Linz
Digital Release
Symphony in F minor (1863)
Edited by Leopold Nowak
(Nowak BSW 10) (MWV 1973)
Bruckner Orchester Linz
Symphony No. 0
ANTON BRUCKNER
Symphony in D minor (‘Die Nullte’) (1869)
(Ed. L. Nowak)
[1]
Allegro
[2]
Andante
[3]
Scherzo. Presto. Trio: Langsamer und ruhiger
[4]
Finale. Moderato

Bruckner Orchester Linz
Markus Poschner, conductor

Although the work did not belong to the corpus of nine numbered symphonies which the composer had identified in his will as worthy of preservation in the Imperial Library, and for which he is best remembered, he did not destroy it. He was hoping, perhaps, to ensure that future generations would assess the symphony in what he considered its proper perspective, having written annotations at various places in the manuscript: ‘invalid’ [ungiltig], ‘completely void’ [ganz nichtig] and ‘annulled’ [annuliert].

‘This interpretation is wonderfully detailed, thoughtfully chamber-musical and, despite the brisk pace, very lyrical—this above all because of the clear, nuanced and warm orchestral sound.’ Pizzicato
★★★★
★★★★
Symphony No. 0 ‘Die Nullte’ (1869)
Edited by Leopold Nowak
(Nowak BSW 11) (MWV 1968)
Bruckner Orchester Linz
Symphony No. 1
ANTON BRUCKNER
Symphony No. 1 in C minor
Linz Version (1868)
[1]
Allegro
[2]
Adagio
[3]
Scherzo: Schnell – Trio: Langsamer
[4]
Finale. Bewegt, feurig

Bruckner Orchester Linz
Markus Poschner, conductor

This Complete Bruckner Symphonies Edition includes all versions of the symphonies either published or to be published under the auspices of the Austrian National Library and the International Bruckner Society in the Neue Anton Bruckner Gesamtausgabe (‘The New Anton Bruckner Complete Edition’). Bruckner himself reckoned that his career as a professional composer began when he was thirty-nine. With only an exercise for a symphony under his belt – the unnumbered F minor – he was now ready to write his first true symphony. The world, however, was not ready to receive it. First performed, badly, in 1868 in Linz, the work flopped and was put aside until nine years and five symphonies later, when it was gently reworked. A subsequent performance in 1884 was Bruckner’s “most successful Viennese performance to date”, which perplexingly led to a thorough revision that would become the 1891 ‘Vienna’ version. This recording uses the original 1868 ‘Linz’ version.

‘Poschner shows skilful freshness…’ Pizzicato ★★★★
★★★★
Symphony No. 1 (1868)
Edited by Thomas Röder
(Röder NBG III/1: I/1) (MWV 2016)
Bruckner Orchester Linz
Anton Bruckner: Symphony No. 1 (1891)
C8094 • 1-Disc
ANTON BRUCKNER
Symphony No. 1 in C minor (1891)
[1]
Allegro
[2]
Adagio
[3]
Scherzo: Lebhaft, Trio: Langsam
[4]
Finale. Bewegt, feurig
[5]
Scherzo (1865)

Bruckner Orchester Linz
Markus Poschner, conductor

Anton Bruckner finally received the award of an honorary doctorate from the University of Vienna on 11 December 1891. For Bruckner, receiving the doctorate fulfilled a long-time wish, since he had spent most of his life pursuing academic credentials and applied for honorary doctorates at Cambridge University in 1882 and at the Universities of Pennsylvania and Cincinnati in 1885. Two days later, Hans Richter conducted the Vienna Philharmonic in the first performance of the second or so-called 'Vienna' version of Bruckner's First Symphony, which he had dedicated to the university in gratitude for the degree. The changes Bruckner made in this revised version are not as extensive as those he made to the Third, Fourth and Eighth Symphonies during the late 1880s and early 1890s. His revisions to the First Symphony did not affect the overall form of any of the movements. He changed many details of orchestration, articulation and phrase length, some of which are difficult to notice on first hearing. Nevertheless, the 1891 autograph score is the composer’s final word on how he wanted his First Symphony to be performed and understood.

Symphony No. 1 (1891)
Edited by Günter Brosch
(Brosch BSW 1/2) (MWV 1980)
Schzero (1865)
Bruckner Orchester Linz
Symphony No. 2
ANTON BRUCKNER
Symphony No. 2 in C minor (1872)
[1]
Allegro. Ziemlich schnell
[2]
Adagio
[3]
Scherzo. Schnell – Trio. Gleiches Tempo
[4]
Finale. Feierlich, etwas bewegt

ORF Vienna Radio Symphony Orchestra
Markus Poschner, conductor

Capriccio’s Complete Bruckner Symphonies Edition includes all versions of the symphonies either published or to be published under the auspices of the Austrian National Library and the International Bruckner Society in the Neue Anton Bruckner Gesamtausgabe (The New Anton Bruckner Complete Edition). Bruckner’s Second Symphony is rarely heard in its 1877 version, and it has remained virtually unperformed in the 1872 original version. This is not because of any deficiency in Bruckner’s earlier ideas compared with the later alterations. It’s mainly down to habit and convenience, since acquiring new parts and re⁠-⁠learning a score with many detailed differences requires significant extra effort and resources. That’s a pity, because it is well worth discovering the original rawness of Bruckner’s early masterpiece, something rarely heard since its creation, until now.

‘…Poschner and the orchestra allow the music to unfold without overdoing it romantically.’ Pizzicato ★★★★
Symphony No. 2 (1872)
Edited by William Carragan
(Carragan BSW II/1) (MWV 2005)
ORF Vienna Radio Symphony Orchestra
ANTON BRUCKNER
Symphony No. 2 in C minor (1877)
[1]
Moderato
[2]
Andante. Feierlich, etwas bewegt
[3]
Scherzo. Mäßig schnell – Trio
[4]
Finale. Ziemlich schnell

Bruckner Orchester Linz
Markus Poschner, conductor

When Otto Desshoff read through the score of Bruckner’s Second Symphony to determine its suitability for performance by the Vienna Philharmonic, he declared “What nonsense this is”, dooming the work to a life of revisions. Composed in 1871, the work was then known as The Third, since the original second, Zeroëth, hadn’t yet been removed from the catalogue of Bruckner’s numbered symphonies. Although the premiere of The Second Symphony was quite well received, Bruckner and his team of assistants set about reworking it in 1877, trimming it of any superfluous material, most significantly in the Finale, where a full 193 bars were pruned. This recording of the 1877 version observes all those cuts, without affecting Bruckner’s original, expansive structure.

‘…the orchestra plays at a high level and the recording is well balanced and transparent.’ Pizzicato ★★★★
Symphony No. 2 (1877)
Edited by Paul Hawkshaw
(Hawkshaw NBG III/1: 2/2) (MWV in preparation)
Bruckner Orchester Linz
Symphony No. 3
ANTON BRUCKNER
Symphony No. 3 in D minor (1873)
[1]
Gemäßigt. Misterioso
[2]
Adagio: Feierlich
[3]
Scherzo: Ziemlich schnell
[4]
Finale: Allegro

ORF Vienna Radio Symphony Orchestra
Markus Poschner, conductor

Bruckner revised his Third Symphony more than any other: there are three manuscript versions, two published versions from within his lifetime, a separate manuscript of the Adagio, and revision fragments from 1874, 1875 and 1876 that have also survived. In its first version (used for this recording), it is Bruckner’s longest and most overtly Wagnerian symphony. When Bruckner expert Robert Simpson got to study Nowak’s edition of this version in 1977, he threw his previously held opinions overboard and declared it an ‘achievement … progressively maimed in successive versions.’

‘…the ORF Radio Symphony is clearly an outstanding ensemble… This release is obligatory for those who already have the previous discs in this series and the growing number of Bruckner enthusiasts.’MusicWeb International
★★★★
Symphony No. 3 (1873)
Edited by Leopold Nowak
(Nowak BSW III/1) (MWV 1993)
ORF Vienna Radio Symphony Orchestra
ANTON BRUCKNER
Symphony No. 3 in D minor (1877)
[1]
Gemäßigt, mehr bewegt, misterioso
[2]
Andante. Bewegt, feierlich, quasi Adagio
[3]
Scherzo. Ziemlich schnell
[4]
Finale. Allegro
[5]
Adagio (1876)

ORF Vienna Radio Symphony Orchestra
Bruckner Orchester Linz
Markus Poschner, conductor

Anton Bruckner began the revision of his Third Symphony after completing the Fifth on 16 May 1876, and continued working on it sporadically until 28 April 1877. Then, after the Vienna Philharmonic rejected the symphony for a third time, Bruckner’s friend Hofkapellmeister Johann Herbeck took matters into his own hands. He arranged to conduct the work himself as part of a concert series promoted by the Society for the Friends of Music (Gesellschaftskonzerte) on 16 December 1877. When Herbeck passed away unexpectedly, Bruckner was forced to conduct the symphony himself. The performance proved to be one of the worst debacles of his career. The players were rude and unreceptive, and the audience left the concert hall in droves. Despite the public fiasco, Theodor Rättig, one of the few people who remained to the end of the performance, offered to publish the work, which represented the first publication of a Bruckner symphony. Two other people who were also there at the end – Gustav Mahler and Rudolf Krzyzanowski – prepared a piano four-hand reduction for Rättig’s publication, which appeared at the end of 1879.

Symphony No. 3 in D minor (1877)
Edited by Leopold Nowak
(Nowak BSW III/2) (MWV 1994)
Adagio 1876
Edited by Leopold Nowak
(Nowak BSW III/2) (MWV 1980)
ORF Vienna Radio Symphony Orchestra
Bruckner Orchester Linz
ANTON BRUCKNER
Symphony No. 3 in D minor (1889)
[1]
Mehr langsam, Misterioso
[2]
Adagio bewegt, quasi Andante
[3]
Scherzo. Ziemlich schnell – Trio
[4]
Finale. Allegro

Bruckner Orchester Linz
Markus Poschner, conductor

Bruckner’s Third Symphony was always something of a symphonic problem child, from its disastrous first performance (notwithstanding the enthusiastic reception it received from a young Gustav Mahler) until well into the 20th century. In its original form, it’s the longest, most Wagnerian of his symphonies that is often considered, rightly or wrongly, the first truly Brucknerian symphony. While some cherish the uncompromising originality of the first version, Bruckner himself preferred the much tighter 1889 third version, finding it “incomparably better”. This recording of that final version now enables listeners to decide for themselves.

‘Poschner’s performance has the distinction of being the fastest on any official label and is enlivened by some notably vigorous playing.’Gramophone
Symphony No. 3 (1889)
Edited by Leopold Nowak
(Nowak BSW III/3) (MWV 1997)
Bruckner Orchester Linz
Symphony No. 4
ANTON BRUCKNER
Symphony No. 4 in E flat major (1876)
‘The Romantic’
[1]
Bewegt, nicht zu schnell
[2]
Andante, quasi allegretto
[3]
Scherzo. Bewegt
[4]
Finale. Allegro

ORF Vienna Radio Symphony Orchestra
Markus Poschner, conductor

Markus Poschner and his team now tackle the original 1876 version of Bruckner’s Fourth Symphony, arguably his most popular symphony. ‘1876? Surely you mean 1874!’ the Bruckner specialist might comment. Well, recent research has revealed that Bruckner was still adjusting details of the work by that date, but not so substantially that the changes amounted to a separate version; nor, for that matter, the 1878 second ‘standard’ version. Paul Hawkshaw’s liner notes detail all the differences for those who are interested in the subject – but, of course, one can also simply enjoy the immediate freshness of Bruckner’s expansive first ideas.

‘Poschner gives this version a very fresh and spirited mood. He cares about details and presents us with a very imaginative Bruckner and a very playful Fourth.’Pizzicato
★★★★★
infodad.com
★★★★
Symphony No. 4 (1876)
Edited by Benjamin Korstvedt
(Korstvedt NBG III/1: 4/1) (MWV 2021)
ORF Vienna Radio Symphony Orchestra
ANTON BRUCKNER
Symphony No. 4 in E flat major ‘Romantic’ (1878⁠–⁠1880)
[1]
Bewegt, nicht zu schnell
[2]
Andante, quasi Allegretto
[3]
Scherzo. Bewegt
[4]
Finale. Allegro
[5]
Finale. “Volksfest” / ‘Country Fair’ (1878)

Bruckner Orchester Linz (1–4)
ORF Vienna Radio Symphony Orchestra (5)
Markus Poschner, conductor

‘I am completely convinced that my Fourth Romantic Symphony is in pressing need of a thorough revision.’ (Anton Bruckner, 1877) Since its successful first performance by the Vienna Philharmonic under Hans Richter on 20 February 1881, the Fourth Symphony has been one of Anton Bruckner’s most beloved works. The success of the Fourth did not come easily to the composer as he revised the entire symphony twice and its finale three times. This recording features the second and most often performed version in a new edition by Benjamin Korstvedt, published as part of the New Anton Bruckner Collected Works Edition. It also includes Korstvedt’s edition of the ‘Volksfest’ (Country Fair) Finale that Bruckner composed in 1878 and replaced in 1880.

‘I cannot imagine anyone being disappointed by this superb recording, especially as in addition to a superlative account of the third version of the Fourth Symphony, it includes the bonus of the Volksfest.’ MusicWeb International
★★★★
Symphony No. 4 (1878⁠–⁠1880) (‘Hunt’ Scherzo)
Edited by Benjamin Korstvedt
(Korstvedt NBG III/1: 4/2) (MWV 2019)
Bruckner Orchester Linz
Finale 1878 (Country Fair)
Edited by Benjamin Korstvedt
(Korstvedt NBG III/1: 4/2) (MWV 2023)
ORF Vienna Radio Symphony Orchestra
Anton Bruckner: Symphony No. 4 (1888)
C8085 • 1-Disc
ANTON BRUCKNER
Symphony No. 4 in E flat major (1888) ‘Romantic’
[1]
Ruhig bewegt (nur nicht schnell)
[2]
Andante
[3]
Scherzo. Bewegt – Trio. Gemächlich
[4]
Finale. Mäßig bewegt

ORF Vienna Radio Symphony Orchestra
Markus Poschner, conductor

Bruckner’s frantic revisions of his symphonies Nos. 3, 4 and 8 followed his disappointment with Hermann Levi’s rejection of the original version of the Eighth Symphony. Helping in this large-scale effort to revise the works were some of Bruckner’s former students – Franz and Joseph Schalk, Ferdinand Löwe, Max von Oberleithner and Cyrill Hynai. The result was that the reputation of these versions – especially the final version of the Fourth – became tarnished as something not quite Echt-Bruckner. It wasn’t until the discovery of photographs of the 1888 version’s manuscript score, and the subsequent publication of Benjamin Korstvedt’s edition of the work, that it became clear that this late edition really did reflect Bruckner’s intentions. To ears familiar with the even better-known 1881 version, the result might sound mystifying, even troubling, but it also surprises with many particularly exquisite passages!

★★★★★
Symphony No. 4 (1888)
Edited by Benjamin Korstvedt
(Korstvedt BSW IV/3) (MWV 2004)
ORF Vienna Radio Symphony Orchestra
Symphony No. 5
ANTON BRUCKNER
Symphony No. 5 in B-flat major (1878)
[1]
Introduktion. Adagio – Allegro
[2]
Adagio. Sehr langsam
[3]
Scherzo. Molto vivace (schnell) – Trio. Im gleichen Tempo
[4]
Finale. Adagio – Allegro moderato

ORF Vienna Radio Symphony Orchestra
Markus Poschner, conductor

Bruckner’s Fifth is a contrapuntal masterpiece and his grandest symphony until we reach the Eighth. Its finale is a tour-de-force and gives us an idea of what the finale of his uncompleted Ninth Symphony might have sounded like. The descending bass line of its magnificent dark and halting opening – so effectively recalled in the finale – is inimitable. Although it was for long available only in an inauthentic version by Franz Schalk, it’s distinguished by never having been subject to revision by Bruckner, who was to die before he was even able to hear it performed by an orchestra. When Bruckner wrote his masterpiece, he was still far from establishing himself as a composer in Vienna. His spirits were at a low ebb when he wrote to a friend that “my life has lost all joy and delight – in vain and for nothing.” The Fifth represents a radiant pinnacle amid that sense of darkness.

★★★★
Symphony No. 5
Edited by Leopold Nowak
(Nowak BSW 5) (MWV 1989)
ORF Vienna Radio Symphony Orchestra
Symphony No. 6
ANTON BRUCKNER
Symphony No. 6 in A major (1881)
[1]
Maestoso
[2]
Adagio. Sehr feierlich
[3]
Scherzo. Nicht schnell – Trio. Langsam
[4]
Finale. Bewegt, doch nicht zu schnell

Bruckner Orchester Linz
Markus Poschner, conductor

This release marks the start of a significant Capriccio project to record a new edition of the Bruckner symphonies, including all the alternative versions that are included in the new, comprehensive and authoritative Anton Bruckner Gesamtausgabe. The complete programme will be captured on some 18 hours of recording time, and the musical director throughout the project will be Markus Poschner, making this the first time that one conductor has been on the podium for all nineteen versions of the symphonies. Two of Austria‘s finest orchestras have been engaged for this cycle: the Bruckner Orchester Linz and the ORF Vienna Radio Symphony Orchestra. The project is due for completion in 2024, the year that marks the 200th anniversary of Bruckner’s birth.

‘It’s a lively, rhythmically alert interpretation.’ ClassicsToday.com
★★★★
Symphony No. 6
Edited by John Williamson
(Williamson NBG III/1: 6) (MWV in preparation)
Bruckner Orchester Linz
Symphony No. 7
ANTON BRUCKNER
Symphony No. 7 in E major (1889)
[1]
Allegro moderato
[2]
Adagio. Sehr feierlich und sehr langsam
[3]
Scherzo. Sehr schnell
[4]
Finale. Bewegt, doch nicht schnell

ORF Vienna Radio Symphony Orchestra
Markus Poschner, conductor

“Since Beethoven, nothing has been written that even comes close!” The great conductor Arthur Nikisch made this remark to Bruckner’s former student, Joseph Schalk, while fellow conductor Hermann Levi described the piece as “the most significant symphonic work since Beethoven’s death.” Arthur Nikisch conducted the first performance in the Stadttheater, Leipzig, on 30 December 1884, with Bruckner in the audience. While the performance was not a total triumph, it brought a new and significant international recognition for the sixty⁠-⁠year⁠-⁠old composer. During Bruckner’s lifetime the Seventh, especially its Adagio, was his most popular symphony, and it remains among his most beloved and frequently performed works.

Symphony No. 7
Edited by Paul Hawkshaw
(Hawkshaw NBG III/1: 7) (MWV in preparation)
ORF Vienna Radio Symphony Orchestra
Symphony No. 8
ANTON BRUCKNER
Symphony No. 8 C minor WAB 108 (1887)
[1]
Allegro moderato
[2]
Scherzo. Allegro moderato – Trio. Langsam
[3]
Adagio. Feierlich langsam, doch nicht schleppend
[4]
Finale. Feierlich, nicht schnell

Bruckner Orchester Linz
Markus Poschner, conductor

Was it because conductors were sufficiently satisfied with Bruckner’s Eighth Symphony as it stood, or was it down to editorial foot-dragging that the work’s original 1887 version wasn’t published and performed until 1972? It was certainly Hermann Levi’s dissatisfaction or at least bewilderment with the work, so shortly after his very successful Munich performance of the Seventh, that made Bruckner revise the symphony in the first place. It is this elaborate, raw earlier version that Markus Poschner performs here, in the latest edition by Paul Hawkshaw for the New Anton Bruckner Complete Edition. More ornate, brassier and with more economically employed woodwinds, this version doesn’t smooth the edges or round out the corners, providing an interesting insight into an emboldened Bruckner at his unadulterated self.

‘Poschner differentiates the Adagio beautifully, building a solid foundation with the dark strings.’ Pizzicato ★★★★★
Symphony No. 8 (1887)
Edited by Paul Hawkshaw
(Hawkshaw NBG III/1: 8/1) (MWV 2021)
Bruckner Orchester Linz
BRUCKNER, A.: Symphony No. 8 (1890 edition, ed. L. Nowak) (Complete Symphony Versions Edition, Vol. 2) (Bruckner Orchester Linz, M. Poschner)
C8081 • 1-Disc
ANTON BRUCKNER
Symphony No. 8 in C minor
1890 Version (Ed. L. Nowak)
[1]
Allegro moderato
[2]
Scherzo. Allegro moderato
[3]
Adagio. Feierlich langsam, doch nicht schleppend
[4]
Finale. Feierlich, nicht schnell

Bruckner Orchester Linz
Markus Poschner, conductor

Anton Bruckner burst out of the confines of the cathedral using that most secular of musical forms, the symphony. The creator of some of the 19th century’s greatest orchestral music, Bruckner cut a singular figure among his contemporaries. This recording of Symphony No. 8 (1890 version) is performed by Bruckner Orchester Linz conducted by Markus Poschner.

‘The liberation of the listening habits from pathos to a more lively expression.’ Pizzicato
Symphony No. 8 (1890)
Edited by Leopold Nowak
(Nowak BSW 8/2) (MWV 1994)
Bruckner Orchester Linz
Symphony No. 9
ANTON BRUCKNER
DISC 1
Symphony No. 9 in D minor (1894)
[1]
Feierlich; misterioso
[2]
Scherzo. Bewegt, lebhaft – Trio. Schnell
[3]
Adagio. Langsam, feierlich
BONUS DISC
Symphony in F minor (1863) “Study Symphony”
[1]
Allegro molto vivace
[2]
Andante molto
[3]
Scherzo. Schnell – Trio: Langsame
[4]
Finale. Allegro

Bruckner Orchester Linz
Markus Poschner, conductor

This final album of Capriccio’s Bruckner Symphonies in The Complete Versions Edition includes both his very first and final symphonies.

In March 1861, Bruckner completed his counterpoint studies with the renowned teacher Simon Sechter, who had also taught Schubert. His graduation signaled the end of an extended break in his compositional output, when his F minor Symphony was conceived in the classical and early romantic tradition of Beethoven, Schubert, Mendelssohn and Schumann.

Bruckner’s Ninth, considered by some to be his best symphony, is certainly his most daring and, thanks to the missing finale, his most mysterious. It is where Bruckner meets Mahler and, while working on it, when he met his end. He intended to complete the finale, of course, but too much remains missing. What he left us is a heavenly Adagio, which quietly fades away with references in the brass to his two preceding symphonies and ending, but not quite completing, his life’s work.

Symphony No. 9 (1894)
Edited by Leopold Nowak
(Nowak BSW 10) (MWV 1973)
Bruckner Orchester Linz
Digital Release
Symphony in F minor (1863)
Edited by Leopold Nowak
(Nowak BSW 10) (MWV 1973)
Bruckner Orchester Linz