‘The Enchantress contains some of Tchaikovsky’s most beautiful music, and Asmik Grigorian again demonstrates why she is one of opera’s new superstars.’
– Fanfare

‘Could this music have a more brilliant champion than John Wilson? His devotion to making this score shine with the sparkle it deserves comes across gloriously.’
– Gramophone

‘My Fair Lady is a great show, vividly brought to life here… superb recording.’
– MusicWeb International

‘…the standard text is delivered to such a high standard as to make this an essential set for anyone seriously interested in the score. Apart from the outstanding orchestral playing and choral singing… the finely chosen cast is a joy in terms of vocal and verbal expertise.’
– BBC Music Magazine ★★★★★

‘This is really a top-notch thoughtful program, beautifully put together, spectacularly played and very well recorded.’
– ClassicsToday.com

‘…Plenty to enjoy… captured spaciously… Haydn’s still-underestimated trios provide nothing but constant pleasure and this ensemble’s sensitive, responsive, occasionally cheeky performances do them full justice.’
– The Strad

‘It is an unusual treat to hear a professional of the kind that can master Chopin’s etudes, breathe life into a somewhat esoteric repertoire by a rather forgotten composer.’
– American Record Guide

‘[Zina Schiff’s] ability to shape the simplest of material and bring to the surface underlying emotional and spiritual intention is inspiring.’
– MusicWeb International

‘…The execution of these pieces is on the highest virtuosic level. …What a joy to listen to!’
– American Record Guide

‘With his energy, mastery of the orchestra and clarity of direction, Mariusz Smolij does full justice to these beautifully crafted scores…’
– Diapason

‘The Gould Piano Trio offers performances of great stature…’
– Ritmo ★★★★★

‘Once again, the performers impress with their dialogue-rich chamber music, in which Goldstein’s sensitive, nuanced, and – above all – spontaneous performance stands out.’
– Pizzicato ★★★★★

‘An exceptional performance, with perfect musicological rigour.’
– Diapason ★★★★★

‘…Splendid performances. Ermione’s demanding scene for three tenors with coloratura abilities is brilliantly met.’
– Fanfare

‘…Solid and sparkling performances.’
– Fanfare

‘…Jaap van Zweden once again shows himself adept at whipping up a dramatic storm… There’s no doubting further proof nonetheless of the Hong Kong Phil’s – and van Zweden’s solid Wagner credentials.’
– Gramophone

‘With Kalitzke’s skillful baton conducting, it seems easy to bundle the exquisite instrumental contributions of the various musicians in the ensemble into supporting and engaging sound elements.’
– Pizzicato

‘Featuring convincing performances with a spacious sound capture, this BR-Klassik edition is a valuable contribution for those wishing to delve into this repertoire.’
– Ritmo ★★★★★

‘Antoni Wit together with the Deutsche Staatsphilharmonie makes a strong case for the composer with these well-crafted recordings. …you may well be tempted to promote Zygmunt Noskowski to the second rank of Polish composers.’
– Gramophone

‘There’s a reason why Third Coast Percussion, have picked up a GRAMMY Award; their ability to inspire, captivate and defy tradition is nothing short of stunning.’
– Take Effect

‘…Castronovo brings his luminous upper register, elegant phrasing, and infectious rhythmic sense.’
– Fanfare

‘Nicholas Spanos delivers very impressive performances.’
– American Record Guide

‘There is much to discover here.’
– Fanfare

‘A balanced choral sound and excellently prepared soloists breathe life into the words, making this oratorio, first performed again in 2005, a real experience.’
– Pizzicato ★★★★★

‘The interpretations never slip into pure theatricality, but are enormously communicative and wonderfully contemplative in the right places – always with a latent radiance.’
– Pizzicato ★★★★★

‘The Latvian Radio Choir performs with authority and fervour. ’
– Diapason

‘…Without question, this one is special and will be included among the Year’s Best when the time comes.’
– American Record Guide

‘This is an imaginative and very rewarding celebration.’
– International Piano

‘…an intoxicating sound bath. …listeners immediately feel immersed in the rich, exciting soundscape.’
– Pizzicato ★★★★★

‘…superbly conveyed. [Emma McGrath] plays like an angel, with a wonderfully rich and often achingly beautiful tone quality.’
– MusicWeb International

‘Overall, this is quite an engaging recital that I listened to once again with a smile on my face.’
– Positive Feedback Online

‘All in all this is an enjoyable outing.’
– MusicWeb International

‘…A performance of great depth and refinement…a “historical performance” by the next Bruckner milestone.’
– Fanfare

‘[Blomstedt’s] clear, structured interpretation, grandiose without being bombastic, testifies to his unwavering affinity with the master of St Florian.’
– Diapason ★★★★★

‘…the Munich cast is a model of homogeneity, right down to the smallest roles…which the director manages to turn into real characters in a matter of seconds. The protagonists themselves are top-notch.’
– Diapason

‘This production from Verona has all the ingredients needed for a successful Tosca.’
– www.klassik.com

‘…The core members of the ensemble…once again demonstrate their affinity for such beautiful and peculiar music. ’
– Ritmo ★★★★★

‘The stand-out performance in this new Royal Opera Blu-ray is Nadine Sierra. …Her top notes are dazzlingly bright and her coloratura is in fine fettle.’
– MusicWeb International

‘The opera’s main protagonists… deliver virtuoso performances. But the real stars are the Wiener Philharmoniker and Mirga Gražinyté-Tyla, who extract a formidable array of colours and textures.’
– BBC Music Magazine