Henrique Alves de Mesquita – Piano Works

Henrique Alves de Mesquita (1830–1906) was renowned in Brazil in his day as a trumpeter, organist, conductor, teacher and composer, but his works are now virtually unknown, with no commercial recordings to be found in any of the current mainstream catalogues. With recent moves towards greater appreciation of Black composers, Mesquita is a prime example of a musician whose output demands to be rediscovered. This highly entertaining selection of genres and styles that were in vogue in musical theatre at the time, including the tango, polka, quadrille and waltz, could hardly be a better introduction to this undeservedly neglected composer.


Henrique Alves de Mesquita was a prolific composer who defied Brazilian society’s systemic exclusion of Black people to achieve prominence as one of the leading figures in the local musical scene of the 19th century. He was highly regarded for his sacred music and operas, which are rarely heard today. After study years in Paris, Mesquita turned his versatility and sophistication towards fashionable music theatre styles such as polkas, tangos and waltzes, conveying emotions ranging from contagious joy to gentle melancholy. It is these lighter pieces that are now considered by many scholars to be one of the main origins of modern Brazilian popular music.

Listen to an extract from A gata borralheira, Polka
About the artist

Pianist Maria Teresa Madeira studied at the Escola de Música da Universidade Federal do Rio de Janeiro, The University of Iowa and the Universidade Federal do Estado do Rio de Janeiro (UNIRIO). She has appeared internationally as a soloist and chamber musician, including at the XVII Bienal de Música Brasileira Contemporânea. As an educator, she has delivered lectures across Brazil and the United States, and participated in the Jeunes Virtuoses à Ennejma Ezzahra. She is currently a professor at UNIRIO and serves on the board of advisers for PROEMUS, a graduate-level programme dedicated to the teaching and pedagogy of musical practice..

Recommended albums of piano recitals and chamber music from the Music of Brazil series
8.574310
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‘Emmanuele Baldini … produces an alluring tone that taps into the natural resonances of his instrument and phrases with a natural instinct … this elusive yet deeply rewarding music is among the finest ever written for violin and piano.’
BBC Music Magazine
8.574595
‘The crystalline recording, along with Emmanuele Baldini’s idiomatic violin performance, accompanied by pianist Lucas Thomazinho, is ideal for its precision and musicality.’
Ritmo ★★★★★
8.574118
‘Baldini’s playing is radiant and idiomatic, with Fernandes particularly brilliant in the demanding piano writing in the Miguez sonata.’
The WholeNote
8.574486
★★★★
‘The performances by the composer’s son could not be bettered, and the recorded sound is excellent. This is a significant release of works by a composer who should be better known.’
American Record Guide
8.574593
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★★★★
‘These works, from 1918 to 1947 … are lyrical and refined … There is vigour combined with a distinctly Brazilian restraint.’
American Record Guide


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